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joy is no knocking nation EP – ira glass

GENRE; Rock RELEASE DATE; 14 November, 2025 RATING; 3/5 ⭐️⭐️⭐️   Ira Glass’s new EP joy is no knocking nation…
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GENRE; Rock

RELEASE DATE; 14 November, 2025

RATING; 3/5

⭐️⭐️⭐️

 

Ira Glass’s new EP joy is no knocking nation compresses a chaotic, century-spanning punk education into nineteen combustible minutes. The Chicago quartet—Lise Ivanova (voice/guitar), Landon Kerouac (drums), Jill Roth (saxophone) and Kaleb Wallace (bass)—shape short, mercurial songs that pivot between jagged post-hardcore, no-wave skronk and abrupt, almost theatrical hushes. The record’s saxophone flourishes are not decorative; they’re a central axis, swooping from plaintive jazz drones to skronky blasts and tying the band’s disparate impulses together.

Opening cuts like “fritz all over you” and the single “fd&c red 40” layer fractured funk grooves beneath frantic cries and blown-out sax, resulting in an energy that feels both frantic and meticulously arranged. The band wears its influences—’90s screamo, Chicago art-rock, and no-wave—openly, but never lapses into pastiche; instead they stitch the references into volatile, forward-leaning songwriting.

Ivanova’s vocal approach is a study in controlled instability: she moves from deadpan narration to full-throated scream within seconds, giving even short passages a sense of dramatic arc. Meanwhile, the rhythm section’s tight, nervy propulsion provides a platform for sudden dynamic shifts—quiet harmonics collapsing into cathartic outbursts—so the EP feels like a series of compressed mini-symphonies rather than throwaway noise. 

While some listeners may find the EP’s stylistic sprinting disorienting, its rewards lie in the small, exacting moments where chaos snaps into clarity—an unexpected harmonic, a sax line that reframes a scream, or a closing minute of noise that oddly lands as resolution. joy is no knocking nation stakes Ira Glass as a band that honors punk’s history while testing its edges. For fans of jagged experimentation and kinetic urgency, this is an essential, bruising listen.  The EP’s brevity is a feature, not a flaw—compact, unrelenting and impossible to ignore; it demands repeat listens to unpack its tight, furious craftsmanship. Truly a modern classic.

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